A curious by-product of the sexual feeling is fetichi**. To do it justice, fetichi** is found in all feeling toward others, but is most developed in *** relation. The fetich is a symbol of the desired person, thus the handkerchief and glove of the woman or the hat of the man. Pathologically any part of the dress--the shoe or the undergarments--may become so closely associated with sexual feeling as to evoke it indiscriminately or even to displace it. Normal fetich formation may become a bit foolish and sentimental but never becomes a predominant factor in *** relationship.
The history of modesty is the history of the *** taboo. As pointed out, the *** feelings are the most restricted of any of the instincts. I despair of giving an adequate summary of this, but it may be best stated by declaring that all the restrictions we hold as imperative have, at one time or another in some place, been regarded as sacred and desirable. Brother and sister marriages were favored by Egyptian royalty, prostitution was a rite in Phoenician worship, phallic worship frankly held as a symbol that which to-day we hold profane (in a silly way), plural marriage was and is countenanced in a large part of the world to-day, marriage for love is held as foolish in most countries, even now. The practice of child restriction now prevalent in Europe and America would be looked at with horror in those countries where children of ten or eleven are allowed to marry.
Exogamy, endogamy, monogamy, polygamy,--all these are customs and taboos, and though in our day and country monogamy has the social and religious sanction, there is nothing to indicate that this is a permanent resting place for marriage. Certainly the statistics of divorce indicate a change in the permanent status of marriage.
What this is meant to emphasize is the social nature of sexual modesty. Modesty of other kind rests either on a moderate self-valuation or a desire to avoid offense by not emphasizing one's own value, or it is both. However sexual modesty originated, practically it consists in the concealing of certain parts of the body, avoiding certain topics of conversation, especially in the presence of the other ***, and behaving in such fashion as to restrict sexual demonstration. There is a natural coyness in women which has been socially emphasized by restrictions in dress, conduct and speech to a ridiculous degree.
Thus it was immodest in our civilization for women to show their legs, and the leg became the symbol of the femaleness of the woman or girl, as also did the breast.[1] The body became taboo, and at present, when women are commencing to dress so that the legs are shown, the arms are bare, and the back and shoulders visible, the cry of immodesty, immorality and social demoralization is raised, as if real morality rested in these ridiculous, barbaric taboos.
[1] All the anthropologists, Tyler, McLennan, Ellis and especially Frazier, deal at length with this fascinating subject.
The psychopathologists relate the most extraordinary stories of fetich love.
But no matter how much one emphasizes the arbitrary nature of modesty, of the restrictions placed on dress, speech and conduct, it still remains true that their function is at present to act as inhibitors. Ridiculous as it is to believe that morality resides in the length of the skirt or in the degree of paint and powder on the face, the fact is that usually they who depart too widely from the conventional in these matters are uninhibited and are as apt to depart from the conventional in deed as they are in deportment. There are those who say that we would be far more moral if we went about naked; that clothes suggest more than nakedness reveals. This is true of some kinds of clothes--the half nakedness of the stage or the ballroom, or the coquettish additions to clothes represented by the dangling tassels --but it is not true of the riding breeches, or the trim sport clothes, or the walking suit. The dress of men, though ugly, is useful, convenient and modest, and there is no doubt that a generation of free women, determined to become human in appearance, could evolve a modest and yet decorative costume. All of the present-day extravagance in female attire, with its ever-changing fashion, is a medley of commercial intrigues, female competition and *** excitement. Though the modesty restrictions are absurd, the motive that obscurely prompts it is not, and the transgressors either seek notice in a risky way, are foolish, to speak bluntly, or else are inviting actual sexual advances.
Though we may actually restrict the *** life so that some men and women become pure in the accepted sense, it will always be true that men and women will be vaguely or definitely attracted to each other. Like the atmospheric pressure which though fifteen pounds to the square inch at the sea level is not felt, so there exists a *** pressure, excited by men and women in each other.
There is a smoldering excitement always ready to leap into flame whenever the young and attractive of the ***es meet. The conventions of modesty tend to restrict the excitement, to neutralize the *** pressure, but they may be swept aside by immodesty and the suggestive. The explanation of the anger and condemnation felt by the moral man in the presence of the "brazen" woman lies in the threat to his purposes of respectability and faithfulness; he is angered that this creature can arouse a conflict in him. The bitterness of the "saint" against the wanton originates in the ease with which she tempts him, and his natural conclusion is that the fault lies with her and not with his own passions. The respectable woman inveigles against her more untrammeled sister, not so much through her concern for morality, as through the anger felt against an unscrupulous competitor who is breaking the rules.
