When night had fairly fallen, Gasselin came into the hall and asked his master respectfully if he had further need of him.
"You can go out, or go to bed, after prayers," replied the baron, waking up, "unless Madame or my sister--"The two ladies here made a sign of consent. Gasselin then knelt down, seeing that his masters rose to kneel upon their chairs; Mariotte also knelt before her stool. Mademoiselle du Guenic then said the prayer aloud. After it was over, some one rapped at the door on the lane.
Gasselin went to open it.
"I dare say it is Monsieur le cure; he usually comes first," said Mariotte.
Every one now recognized the rector's foot on the resounding steps of the portico. He bowed respectfully to the three occupants of the room, and addressed them in phrases of that unctuous civility which priests are accustomed to use. To the rather absent-minded greeting of the mistress of the house, he replied by an ecclesiastically inquisitive look.
"Are you anxious or ill, Madame la baronne?" he asked.
"Thank you, no," she replied.
Monsieur Grimont, a man of fifty, of middle height, lost in his cassock, from which issued two stout shoes with silver buckles, exhibited above his hands a plump visage, and a generally white skin though yellow in spots. His hands were dimpled. His abbatial face had something of the Dutch burgomaster in the placidity of its complexion and its flesh tones, and of the Breton peasant in the straight black hair and the vivacity of the brown eyes, which preserved, nevertheless, a priestly decorum. His gaiety, that of a man whose conscience was calm and pure, admitted a joke. His manner had nothing uneasy or dogged about it, like that of many poor rectors whose existence or whose power is contested by their parishioners, and who instead of being, as Napoleon sublimely said, the moral leaders of the population and the natural justices of peace, are treated as enemies.
Observing Monsieur Grimont as he marched through Guerande, the most irreligious of travellers would have recognized the sovereign of that Catholic town; but this same sovereign lowered his spiritual superiority before the feudal supremacy of the du Guenics. In their salon he was as a chaplain in his seigneur's house. In church, when he gave the benediction, his hand was always first stretched out toward the chapel belonging to the Guenics, where their mailed hand and their device were carved upon the key-stone of the arch.
"I thought that Mademoiselle de Pen-Hoel had already arrived," said the rector, sitting down, and taking the hand of the baroness to kiss it. "She is getting unpunctual. Can it be that the fashion of dissipation is contagious? I see that Monsieur le chevalier is again at Les Touches this evening.""Don't say anything about those visits before Mademoiselle de Pen-Hoel," cried the old maid, eagerly.
"Ah! mademoiselle," remarked Mariotte, "you can't prevent the town from gossiping.""What do they say?" asked the baroness.
"The young girls and the old women all say that he is in love with Mademoiselle des Touches.""A lad of Calyste's make is playing his proper part in ****** the women love him," said the baron.
"Here comes Mademoiselle de Pen-Hoel," said Mariotte.
The gravel in the court-yard crackled under the discreet footsteps of the coming lady, who was accompanied by a page supplied with a lantern. Seeing this lad, Mariotte removed her stool to the great hall for the purpose of talking with him by the gleam of his rush-light, which was burned at the cost of his rich and miserly mistress, thus economizing those of her own masters.
This elderly demoiselle was a thin, dried-up old maid, yellow as the parchment of a Parliament record, wrinkled as a lake ruffled by the wind, with gray eyes, large prominent teeth, and the hands of a man.
She was rather short, a little crooked, possibly hump-backed; but no one had ever been inquisitive enough to ascertain the nature of her perfections or her imperfections. Dressed in the same style as Mademoiselle du Guenic, she stirred an enormous quantity of petticoats and linen whenever she wanted to find one or other of the two apertures of her gown through which she reached her pockets. The strangest jingling of keys and money then echoed among her garments.
She always wore, dangling from one side, the bunch of keys of a good housekeeper, and from the other her silver snuff-box, thimble, knitting-needles, and other implements that were also resonant.
Instead of Mademoiselle Zephirine's wadded hood, she wore a green bonnet, in which she may have visited her melons, for it had passed, like them, from green to yellowish; as for its shape, our present fashions are just now bringing it back to Paris, after twenty years absence, under the name of Bibi. This bonnet was constructed under her own eye and by the hands of her nieces, out of green Florence silk bought at Guerande, and an old bonnet-shape, renewed every five years at Nantes,--for Mademoiselle de Pen-Hoel allowed her bonnets the longevity of a legislature. Her nieces also made her gowns, cut by an immutable pattern. The old lady still used the cane with the short hook that all women carried in the early days of Marie-Antoinette. She belonged to the very highest nobility of Brittany. Her arms bore the ermine of its ancient dukes. In her and in her sister the illustrious Breton house of the Pen-Hoels ended. Her younger sister had married a Kergarouet, who, in spite of the deep disapproval of the whole region, added the name of Pen-Hoel to his own and called himself the Vicomte de Kergarouet-Pen-Hoel.
