"You must stay after school and try again, Rebecca," she said, but she said it smilingly. "Your poetry hasn't a very nice idea in it for a good little girl who ought to love duty."
"It wasn't MY idea," said Rebecca apologetically.
"I had only made the first line when I saw you were going to ring the bell and say the time was up. I had `clash' written, and I couldn't think of anything then but `hash' or `rash' or `smash.' I'll change it to this:--
When Joy and Duty clash, 'T is Joy must go to smash."
"That is better," Miss Dearborn answered, "though I cannot think `going to smash' is a pretty expression for poetry."
Having been instructed in the use of the indefinite pronoun "one" as giving a refined and elegant touch to literary efforts, Rebecca painstakingly rewrote her composition on solitude, giving it all the benefit of Miss Dearborn's suggestion. It then appeared in the following form, which hardly satisfied either teacher or pupil:--SOLITUDE
It would be false to say that one could ever be alone when one has one's lovely thoughts to comfort one. One sits by one's self, it is true, but one thinks; one opens one's favorite book and reads one's favorite story; one speaks to one's aunt or one's brother, fondles one's cat, or looks at one's photograph album.
There is one's work also: what a joy it is to one, if one happens to like work. All one's little household tasks keep one from being lonely. Does one ever feel bereft when one picks up one's chips to light one's fire for one's evening meal? Or when one washes one's milk pail before milking one's cow?
One would fancy not.
R. R. R.
"It is perfectly dreadful," sighed Rebecca when she read it aloud after school. "Putting in `one' all the time doesn't make it sound any more like a book, and it looks silly besides."
"You say such queer things," objected Miss Dearborn. "I don't see what makes you do it.
Why did you put in anything so common as picking up chips?"
"Because I was talking about `household tasks' in the sentence before, and it IS one of my household tasks. Don't you think calling supper `one's evening meal' is pretty? and isn't `bereft' a nice word?"
"Yes, that part of it does very well. It is the cat, the chips, and the milk pail that I don't like."
"All right!" sighed Rebecca. "Out they go;
Does the cow go too?"
"Yes, I don't like a cow in a composition," said the difficult Miss Dearborn.
The Milltown trip had not been without its tragic consequences of a small sort; for the next week Minnie Smellie's mother told Miranda Sawyer that she'd better look after Rebecca, for she was given to "swearing and profane language;" that she had been heard saying something dreadful that very afternoon, saying it before Emma Jane and Living Perkins, who only laughed and got down on all fours and chased her.
Rebecca, on being confronted and charged with the crime, denied it indignantly, and aunt Jane believed her.
"Search your memory, Rebecca, and try to think what Minnie overheard you say," she pleaded.
"Don't be ugly and obstinate, but think real hard.
When did they chase you up the road, and what were you doing?"
A sudden light broke upon Rebecca's darkness.
"Oh! I see it now," she exclaimed. "It had rained hard all the morning, you know, and the road was full of puddles. Emma Jane, Living, and I were walking along, and I was ahead. I saw the water streaming over the road towards the ditch, and it reminded me of Uncle Tom's Cabin at Milltown, when Eliza took her baby and ran across the Mississippi on the ice blocks, pursued by the bloodhounds.
We couldn't keep from laughing after we came out of the tent because they were acting on such a small platform that Eliza had to run round and round, and part of the time the one dog they had pursued her, and part of the time she had to pursue the dog. I knew Living would remember, too, so I took off my waterproof and wrapped it round my books for a baby; then I shouted, `MY GOD! THE RIVER!' just like that--the same as Eliza did in the play; then I leaped from puddle to puddle, and Living and Emma Jane pursued me like the bloodhounds. It's just like that stupid Minnie Smellie who doesn't know a game when she sees one. And Eliza wasn't swearing when she said `My God! the river!' It was more like praying."
"Well, you've got no call to be prayin', any more than swearin', in the middle of the road," said Miranda; "but I'm thankful it's no worse. You're born to trouble as the sparks fly upward, an' I'm afraid you allers will be till you learn to bridle your unruly tongue."
"I wish sometimes that I could bridle Minnie's," murmured Rebecca, as she went to set the table for supper.
"I declare she IS the beatin'est child!" said Miranda, taking off her spectacles and laying down her mending. "You don't think she's a leetle mite crazy, do you, Jane?"
"I don't think she's like the rest of us," responded Jane thoughtfully and with some anxiety in her pleasant face; "but whether it's for the better or the worse I can't hardly tell till she grows up. She's got the ****** of 'most anything in her, Rebecca has; but I feel sometimes as if we were not fitted to cope with her."
"Stuff an' nonsense!" said Miranda "Speak for yourself. I feel fitted to cope with any child that ever was born int' the world!"
"I know you do, Mirandy; but that don't MAKE you so," returned Jane with a smile.
The habit of speaking her mind freely was certainly growing on Jane to an altogether terrifying extent.
