"The stage ought to be here," said Miranda, glancing nervously at the tall clock for the twentieth time. "I guess everything 's done. I've tacked up two thick towels back of her washstand and put a mat under her slop-jar; but children are awful hard on furniture. I expect we sha'n't know this house a year from now."
Jane's frame of mind was naturally depressed and timorous, having been affected by Miranda's gloomy presages of evil to come. The only difference between the sisters in this matter was that while Miranda only wondered how they could endure Rebecca, Jane had flashes of inspiration in which she wondered how Rebecca would endure them. It was in one of these flashes that she ran up the back stairs to put a vase of apple blossoms and a red tomato-pincushion on Rebecca's bureau.
The stage rumbled to the side door of the brick house, and Mr. Cobb handed Rebecca out like a real lady passenger. She alighted with great circumspection, put the bunch of faded flowers in her aunt Miranda's hand, and received her salute; it could hardly be called a kiss without injuring the fair name of that commodity.
"You needn't 'a' bothered to bring flowers," remarked that gracious and tactful lady; "the garden 's always full of 'em here when it comes time."
Jane then kissed Rebecca, giving a somewhat better imitation of the real thing than her sister.
"Put the trunk in the entry, Jeremiah, and we'll get it carried upstairs this afternoon," she said.
"I'll take it up for ye now, if ye say the word, girls."
"No, no; don't leave the horses; somebody'll be comin' past, and we can call 'em in."
"Well, good-by, Rebecca; good-day, Mirandy 'n' Jane. You've got a lively little girl there. I guess she'll be a first-rate company keeper."
Miss Sawyer shuddered openly at the adjective "lively" as applied to a child; her belief being that though children might be seen, if absolutely necessary, they certainly should never be heard if she could help it. "We're not much used to noise, Jane and me," she remarked acidly.
Mr. Cobb saw that he had taken the wrong tack, but he was too unused to argument to explain himself readily, so he drove away, trying to think by what safer word than "lively" he might have described his interesting little passenger.
"I'll take you up and show you your room, Rebecca," Miss Miranda said. "Shut the mosquito nettin' door tight behind you, so 's to keep the flies out; it ain't flytime yet, but I want you to start right; take your passel along with ye and then you won't have to come down for it; always make your head save your heels. Rub your feet on that braided rug; hang your hat and cape in the entry there as you go past."
"It's my best hat," said Rebecca "Take it upstairs then and put it in the clothes-press; but I shouldn't 'a' thought you'd 'a' worn your best hat on the stage."
"It's my only hat," explained Rebecca. "My everyday hat wasn't good enough to bring. Fanny's going to finish it."
"Lay your parasol in the entry closet."
"Do you mind if I keep it in my room, please?
It always seems safer."
"There ain't any thieves hereabouts, and if there was, I guess they wouldn't make for your sunshade, but come along. Remember to always go up the back way; we don't use the front stairs on account o' the carpet; take care o' the turn and don't ketch your foot; look to your right and go in. When you've washed your face and hands and brushed your hair you can come down, and by and by we'll unpack your trunk and get you settled before supper. Ain't you got your dress on hind sid' foremost?"
Rebecca drew her chin down and looked at the row of smoked pearl buttons running up and down the middle of her flat little chest.
"Hind side foremost? Oh, I see! No, that's all right. If you have seven children you can't keep buttonin' and unbuttonin' 'em all the time--they have to do themselves. We're always buttoned up in front at our house. Mira's only three, but she's buttoned up in front, too."
Miranda said nothing as she closed the door, but her looks were at once equivalent to and more eloquent than words.
Rebecca stood perfectly still in the centre of the floor and looked about her. There was a square of oilcloth in front of each article of furniture and a drawn-in rug beside the single four poster, which was covered with a fringed white dimity counterpane.
