Philippe de Sucy quivered; his broad brow contracted; his face became as sombre as the skies above them. Some memory of awful bitterness distorted for a moment his features, but he said nothing. Like all strong men, he drove down his emotions to the depths of his heart;thinking perhaps, as ****** characters are apt to think, that there was something immodest in unveiling griefs when human language cannot render their depths and may only rouse the mockery of those who do not comprehend them. Monsieur d'Albon had one of those delicate natures which divine sorrows, and are instantly sympathetic to the emotion they have involuntarily aroused. He respected his friend's silence, rose, forgot his fatigue, and followed him silently, grieved to have touched a wound that was evidently not healed.
"Some day, my friend," said Philippe, pressing his hand, and thanking him for his mute repentance by a heart-rending look, "I will relate to you my life. To-day I cannot."They continued their way in silence. When the colonel's pain seemed soothed, the marquis resumed his fatigue; and with the instinct, or rather the will, of a wearied man his eye took in the very depths of the forest; he questioned the tree-tops and examined the branching paths, hoping to discover some dwelling where he could ask hospitality. Arriving at a cross-ways, he thought he noticed a slight smoke rising among the trees; he stopped, looked more attentively, and saw, in the midst of a vast copse, the dark-green branches of several pine-trees.
"A house! a house!" he cried, with the joy the sailor feels in crying "Land!"Then he sprang quickly into the copse, and the colonel, who had fallen into a deep reverie, followed him mechanically.
"I'd rather get an omelet, some cottage bread, and a chair here," he said, "than go to Cassan for sofas, truffles, and Bordeaux."These words were an exclamation of enthusiasm, elicited from the councillor on catching sight of a wall, the white towers of which glimmered in the distance through the brown masses of the tree trunks.
"Ha! ha! this looks to me as if it had once been a priory," cried the marquis, as they reached a very old and blackened gate, through which they could see, in the midst of a large park, a building constructed in the style of the monasteries of old. "How those rascals the monks knew how to choose their sites!"This last exclamation was an expression of surprise and pleasure at the poetical hermitage which met his eyes. The house stood on the slope of the mountain, at the summit of which is the village of Nerville. The great centennial oaks of the forest which encircled the dwelling made the place an absolute solitude. The main building, formerly occupied by the monks, faced south. The park seemed to have about forty acres. Near the house lay a succession of green meadows, charmingly crossed by several clear rivulets, with here and there a piece of water naturally placed without the least apparent artifice.
Trees of elegant shape and varied foliage were distributed about.
Grottos, cleverly managed, and massive terraces with dilapidated steps and rusty railings, gave a peculiar character to this lone retreat.
Art had harmonized her constructions with the picturesque effects of nature. Human passions seemed to die at the feet of those great trees, which guarded this asylum from the tumult of the world as they shaded it from the fires of the sun.
"How desolate!" thought Monsieur d'Albon, observing the sombre expression which the ancient building gave to the landscape, gloomy as though a curse were on it. It seemed a fatal spot deserted by man. Ivy had stretched its tortuous muscles, covered by its rich green mantle, everywhere. Brown or green, red or yellow mosses and lichen spread their romantic tints on trees and seats and roofs and stones. The crumbling window-casings were hollowed by rain, defaced by time; the balconies were broken, the terraces demolished. Some of the outside shutters hung from a single hinge. The rotten doors seemed quite unable to resist an assailant. Covered with shining tufts of mistletoe, the branches of the neglected fruit-trees gave no sign of fruit. Grass grew in the paths. Such ruin and desolation cast a weird poesy on the scene, filling the souls of the spectators with dreamy thoughts. A poet would have stood there long, plunged in a melancholy reverie, admiring this disorder so full of harmony, this destruction which was not without its grace. Suddenly, the brown tiles shone, the mosses glittered, fantastic shadows danced upon the meadows and beneath the trees; fading colors revived; striking contrasts developed, the foliage of the trees and shrubs defined itself more clearly in the light. Then--the light went out. The landscape seemed to have spoken, and now was silent, returning to its gloom, or rather to the soft sad tones of an autumnal twilight.
"It is the palace of the Sleeping Beauty," said the marquis, beginning to view the house with the eyes of a land owner. "I wonder to whom it belongs! He must be a stupid fellow not to live in such an exquisite spot."At that instant a woman sprang from beneath a chestnut-tree standing to the right of the gate, and, without ****** any noise, passed before the marquis as rapidly as the shadow of a cloud. This vision made him mute with surprise.
"Why, Albon, what's the matter?" asked the colonel.
"I am rubbing my eyes to know if I am asleep or awake," replied the marquis, with his face close to the iron rails as he tried to get another sight of the phantom.
"She must be beneath that fig-tree," he said, pointing to the foliage of a tree which rose above the wall to the left of the gate.
"She! who?"
