I was informed by Frank Bracebridge that the parson had been a chum of his father's at Oxford, and had received this living shortly after the latter had come to his estate. He was a complete black-letter hunter, and would scarcely read a work printed in the Roman character. The editions of Caxton and Wynkin de Worde were his delight; and he was indefatigable in his researches after such old English writers as have fallen into oblivion from their worthlessness. In deference, perhaps, to the notions of Mr.
Bracebridge, he had made diligent investigations into the festive rites and holiday customs of former times; and had been as zealous in the inquiry as if he had been a boon companion; but it was merely with that plodding spirit with which men of adust temperament follow up any track of study, merely because it is denominated learning; indifferent to its intrinsic nature, whether it be the illustration of the wisdom, or of the ribaldry and obscenity of antiquity. He had pored over these old volumes so intensely, that they seemed to have been reflected into his countenance indeed; which, if the face be an index of the mind, might be compared to a title-page of black-letter.
On reaching the church porch, we found the parson rebuking the gray-headed ***ton for having used mistletoe among the greens with which the church was decorated. It was, he observed, an unholy plant, profaned by having been used by the Druids in their mystic ceremonies; and though it might be innocently employed in the festive ornamenting of halls and kitchens, yet it had been deemed by the Fathers of the Church as unhallowed, and totally unfit for sacred purposes. So tenacious was he on this point, that the poor ***ton was obliged to strip down a great part of the humble trophies of his taste, before the parson would consent to enter upon the service of the day.
The interior of the church was venerable but ******; on the walls were several mural monuments of the Bracebridges, and just beside the altar was a tomb of ancient workmanship, on which lay the effigy of a warrior in armour, with his legs crossed, a sign of his having been a crusader. I was told it was one of the family who had signalised himself in the Holy Land, and the same whose picture hung over the fireplace in the hall.
During service, Master Simon stood up in the pew, and repeated the responses very audibly; evincing that kind of ceremonious devotion punctually observed by a gentleman of the old school, and a man of old family connections. I observed, too, that he turned over the leaves of a folio prayer-book with something of a flourish;possibly to show off an enormous seal-ring which enriched one of his fingers, and which had the look of a family relic. But he was evidently most solicitous about the musical part of the service, keeping his eye fixed intently on the choir, and beating time with much gesticulation and emphasis.
The orchestra was in a small gallery, and presented a most whimsical grouping of heads, piled one above the other, among which I particularly noticed that of the village tailor, a pale fellow with a retreating forehead and chin, who played on the clarionet, and seemed to have blown his face to a point; and there was another, a short pursy man, stooping and labouring at a bass viol, so as to show nothing but the top of a round bald head, like the egg of an ostrich. There were two or three pretty faces among the female singers, to which the keen air of a frosty morning had given a bright rosy tint; but the gentlemen choristers had evidently been chosen, like old Cremona fiddles, more for tone than looks; and as several had to sing from the same book, there were clusterings of odd physiognomies, not unlike those groups of cherubs we sometimes see on country tombstones.
The usual services of the choir were managed tolerably well, the vocal parts generally lagging a little behind the instrumental, and some loitering fiddler now and then ****** up for lost time by travelling over a passage with prodigious celerity, and clearing more bars than the keenest fox-hunter to be in at the death. But the great trial was an anthem that had been prepared and arranged by Master Simon, and on which he had founded great expectation.
Unluckily there was a blunder at the very outset; the musicians became flurried; Master Simon was in a fever; everything went on lamely and irregularly until they came to a chorus beginning "Now let us sing with one accord," which seemed to be a signal for parting company: all became discord and confusion; each shifted for himself, and got to the end as well, or rather as soon, as he could, excepting one old chorister in a pair of horn spectacles bestriding and pinching a long sonorous nose; who, happening to stand a little apart, and being wrapped up in his own melody, kept on a quavering course, wriggling his head, ogling his book, and winding all up by a nasal solo of at least three bars' duration.
The parson gave us a most erudite sermon on the rites and ceremonies of Christmas, and the propriety of observing it not merely as a day of thanksgiving, but of rejoicing; supporting the correctness of his opinions by the earliest usages of the Church, and enforcing them by the authorities of Theophilus of Cesarea, St.
Cyprian, St. Chrysostom, St. Augustine, and a cloud more of Saints and Fathers, from whom he made copious quotations. I was a little at a loss to perceive the necessity of such a mighty array of forces to maintain a point which no one present seemed inclined to dispute; but I soon found that the good man had a legion of ideal adversaries to contend with; having, in the course of his researches on the subject of Christmas, got completely embroiled in the sectarian controversies of the Revolution, when the Puritans made such a fierce assault upon the ceremonies of the Church, and poor old Christmas was driven out of the land by proclamation of Parliament.* The worthy parson lived but with times past, and knew but a little of the present.
* See Note C.
