登陆注册
38554000000049

第49章 ON THE ATHENIAN ORATORS(4)

Knowledge thus acquired and opinions thus formed were, indeed, likely to be, in some respects, defective. Propositions which are advanced in discourse generally result from a partial view of the question, and cannot be kept under examination long enough to be corrected. Men of great conversational powers almost universally practise a sort of lively sophistry and exaggeration, which deceives, for the moment, both themselves and their auditors.Thus we see doctrines, which cannot bear a close inspection, triumph perpetually in drawing-rooms, in debating societies, and even in legislative or judicial assemblies. To the conversational education of the Athenians I am inclined to attribute the great looseness of reasoning which is remarkable in most of their scientific writings. Even the most illogical of modern writers would stand perfectly aghast at the puerile fallacies which seem to have deluded some of the greatest men of antiquity. Sir Thomas Lethbridge would stare at the political economy of Xenophon; and the author of "Soirees de Petersbourg" would be ashamed of some of the metaphysical arguments of Plato. But the very circumstances which retarded the growth of science were peculiarly favourable to the cultivation of eloquence. From the early habit of taking a share in animated discussion the intelligent student would derive that readiness of resource, that copiousness of language, and that knowledge of the temper and understanding of an audience, which are far more valuable to an orator than the greatest logical powers.

Horace has prettily compared poems to those paintings of which the effect varies as the spectator changes his stand. The same remark applies with at least equal justice to speeches. They must be read with the temper of those to whom they were addressed, or they must necessarily appear to offend against the laws of taste and reason; as the finest picture, seen in a light different from that for which it was designed, will appear fit only for a sign. This is perpetually forgotten by those who criticise oratory. Because they are reading at leisure, pausing at every line, reconsidering every argument, they forget that the hearers were hurried from point to point too rapidly to detect the fallacies through which theywere conducted; that they had no time to disentangle sophisms, or to notice slight inaccuracies of expression; that elaborate excellence, either of reasoning or of language, would have been absolutely thrown away. To recur to the analogy of the sister art, these connoisseurs examine a panorama through a microscope, and quarrel with a scene-painter because he does not give to his work the exquisite finish of Gerard Dow.

Oratory is to be estimated on principles different from those which are applied to other productions. Truth is the object of philosophy and history. Truth is the object even of those works which are peculiarly called works of fiction, but which, in fact, bear the same relation to history which algebra bears to arithmetic. The merit of poetry, in its wildest forms, still consists in its truth,--truth conveyed to the understanding, not directly by the words, but circuitously by means of imaginative associations, which serve as its conductors. The object of oratory alone is not truth, but persuasion. The admiration of the multitude does not make Moore a greater poet than Coleridge, or Beattie a greater philosopher than Berkeley. But the criterion of eloquence is different. A speaker who exhausts the whole philosophy of a question, who displays every grace of style, yet produces no effect on his audience, may be a great essayist, a great statesman, a great master of composition; but he is not an orator. If he miss the mark, it makes no difference whether he have taken aim too high or too low.

The effect of the great ******* of the press in England has been, in a great measure, to destroy this distinction, and to leave among us little of what I call Oratory Proper. Our legislators, our candidates, on great occasions even our advocates, address themselves less to the audience than to the reporters. They think less of the few hearers than of the innumerable readers. At Athens the case was different; there the only object of the speaker was immediate conviction and persuasion. He, therefore, who would justly appreciate the merit of the Grecian orators should place himself, as nearly as possible, in the situation of their auditors: he should divest himself of his modern feelings and acquirements, and make the prejudices and interests of the Athenian citizen his own. He who studies their works in this spirit will find thatmany of those things which, to an English reader, appear to be blemishes,--the frequent violation of those excellent rules of evidence by which our courts of law are regulated,--the introduction of extraneous matter,--the reference to considerations of political expediency in judicial investigations,--the assertions, without proof,--the passionate entreaties,-- the furious invectives,--are really proofs of the prudence and address of the speakers. He must not dwell maliciously on arguments or phrases, but acquiesce in his first impressions. It requires repeated perusal and reflection to decide rightly on any other portion of literature. But with respect to works of which the merit depends on their instantaneous effect the most hasty judgment is likely to be best.

同类推荐
热门推荐
  • 植物大战僵尸之曙光

    植物大战僵尸之曙光

    豌豆射手,寒冰射手,电流醋栗,西瓜投手“奉命”到大城市里面给学校办搬迁手续,却阴差阳错地因为公交车引起了一系列事件,阴差阳错的发生了许多幽默逗人的故事,从中结识了两个亦敌亦友的朋友,后来,他们有找到了其他三个朋友:槲寄生,喇叭花,天使星星果,它们十个经过战斗来到了总校,并在血与火的磨砺中出现了坚如磐石的友情,后来,封印了75年的时空裂缝重写出现,十位战士经过浴血奋战,彻底消灭了敌人,保卫了家园,献出了自己的生命。(第二次修改)
  • 我的前世很平凡

    我的前世很平凡

    我没钱,也没颜值,但我就是很嚣张。什么,走在街上容易被打死?不存在的,我的前世留给了我大量的宝藏(妹子)在她们不停歇的保护下我很安全。什么,我不要脸?我就是不要脸,皮痒求锤!
  • 灰主

    灰主

    世上有黑便有白,然而黑白之前却是无尽的灰......有人一剑开大世,有人孤身入黑白,亦有人于无尽轮回中求永生......
  • 龙说

    龙说

    一个神秘的国度,一个强悍的民族;一段传奇般的经历,一段血腥似的征程;他,一个从小就被预言了的奇才;他,一个注定经历万般磨难的少年。他的人生有过平淡,有过曲折,也有过辉煌。人生的酸甜苦辣一次次的降临在他的身上,他没有屈服,也没有认输,而是顽强的站立了起来。
  • 封天神魔典

    封天神魔典

    以封决之力,护元素之城,统魔族神力,战魂族圣地,只为见她,她······
  • 你是我的那杯茶

    你是我的那杯茶

    [花雨授权]原来这世界上真的有“冤鬼缠身”!失恋同一天,她遇上这诡异风衣男。他的身份形象一直在变,不管她走到哪里,他都如影随形。
  • 穿越之古代种田指南

    穿越之古代种田指南

    穿越了。种田?不会。斗极品?没有。升级打怪?系统不支持。咦?等等,你不是有本种田指南吗?黄莺:呵呵……那要怎么办?黄莺:我有相公。关门,放相公!
  • 三国狙击手

    三国狙击手

    笑看天下烽烟起,王者乱世主沉浮,坐拥雄兵百万甲,几番生死渡苍茫。生灵涂炭沙染血,天下大统止干戈,是非成败皆虚空,功过自有后人评。穿越了,我来到了东汉末年,乱世出英雄的年代,我又该做些什么?泡小乔戏貂蝉?俗!降吕布收赵云?更俗!结曹操拜刘备?俗不可耐!我有我的美人,我有我的猛将,我有我的雄才大略!且看一个名不见经传的小人物如何带领一群同样名不见经传的小人物,一同狙击魏蜀吴的三国格局!A签作品,不会太监的,列位看官放心收藏。
  • 唐梦云烟

    唐梦云烟

    来自20世纪的一名三流大学的学生云秦因报考了学校里最为冷门的考古学,一件件诡离的事接踵而至。
  • 逆世魂神

    逆世魂神

    一花一世界,一叶一人生。命运为我安排的世界,我不要!我要的世界,命运给不来!如果这就是宿命的话,那,我必将打破这种宿命,便寻轮回,只为再次与你相遇!