MEMOIRS OF A VISIT TO THE VARIOUS COURTS OF EUROPE， BY SIR JOHN CRABTREE， BARONET. Below was a list of chapters， each bearing the name of one of the European Courts； and among these the nineteenth and the last upon the list was dedicated to Grü；newald.
`Ah！ The Court of Grü；newald！' said Otto， `that should be droll reading.' And his curiosity itched for it.
`A methodical dog， this English Baronet，' said Gotthold. `Each chapter written and finished on the spot. I shall look for his work when it appears.'
`It would be odd， now， just to glance at it，' said Otto， wavering.
Gotthold's brow darkened， and he looked out of window.
But though the Prince understood the reproof， his weakness prevailed.
`I will，' he said， with an uneasy laugh， `I will， I think， just glance at it.'
So saying， he resumed his seat and spread the traveller's manuscript upon the table.
第一章CHAPTER II `ON THE COURT OF GRUNEWALD，' BEING A PORTION OF THE TRAVELLER'S MANUSCRIPT
IT may well be asked ( it was thus the English traveller began his nineteenth chapter ) why I should have chosen Grü；newald out of so many other states equally petty， formal， dull， and corrupt. Accident， indeed， decided， and not I； but I have seen no reason to regret my visit. The spectacle of this small society macerating in its own abuses was not perhaps instructive， but I have found it exceedingly diverting.
The reigning Prince， Otto Johann Friedrich， a young man of imperfect education， questionable valour， and no scintilla of capacity， has fallen into entire public contempt. It was with difficulty that I obtained an interview， for he is frequently absent from a court where his presence is unheeded， and where his only role is to be a cloak for the amours of his wife. At last， however， on the third occasion when I visited the palace， I found this sovereign in the exercise of his inglorious function， with the wife on one hand， and the lover on the other. He is not ill-looking； he has hair of a ruddy gold， which naturally curls， and his eyes are dark， a combination which I always regard as the mark of some congenital deficiency， physical or moral； his features are irregular， but pleasing； the nose perhaps a little short， and the mouth a little womanish； his address is excellent， and he can express himself with point. But to pierce below these externals is to come on a vacuity of any sterling quality， a deliquescence of the moral nature， a frivolity and inconsequence of purpose that mark the nearly perfect fruit of a decadent age. He has a worthless smattering of many subjects， but a grasp of none. `I soon weary of a pursuit，' he said to me， laughing； it would almost appear as if he took a pride in his incapacity and lack of moral courage. The results of his dilettantei** are to be seen in every field； he is a bad fencer， a second-rate horseman， dancer， shot； he sings -- I have heard him -- and he sings like a child； he writes intolerable verses in more than doubtful French； he acts like the common *******； and in short there is no end to the number of the things that he does， and does badly. His one manly taste is for the chase. In sum， he is but a plexus of weaknesses； the singing chambermaid of the stage， tricked out in man's apparel， and mounted on a circus horse. I have seen this poor phantom of a prince riding out alone or with a few huntsmen， disregarded by all， and I have been even grieved for the bearer of so futile and melancholy an existence. The last Merovingians may have looked not otherwise.
The Princess Amalia Seraphina， a daughter of the Grand-Ducal house of Toggenburg-Tannhä；user， would be equally inconsiderable if she were not a cutting instrument in the hands of an ambitious man. She is much younger than the Prince， a girl of two-and-twenty， sick with vanity， superficially clever， and fundamentally a fool. She has a red-brown rolling eye， too large for her face， and with sparks of both levity and ferocity； her forehead is high and narrow， her figure thin and a little stooping. Her manners， her conversation， which she interlards with French， her very tastes and ambitions， are alike assumed； and the assumption is ungracefully apparent：
Hoyden playing Cleopatra. I should judge her to be incapable of truth.
In private life a girl of this description embroils the peace of families， walks attended by a troop of scowling swains， and passes， once at least， through the divorce court； it is a common and， except to the cynic， an uninteresting type. On the throne， however， and in the hands of a man like Gondremark， she may become the authoress of serious public evils.
Gondremark， the true ruler of this unfortunate country， is a more complex study. His position in Grü；newald， to which he is a foreigner， is eminently false； and that he should maintain it as he does， a very miracle of impudence and dexterity. His speech， his face， his policy， are all double： heads and tails. Which of the two extremes may be his actual design he were a bold man who should offer to decide. Yet I will hazard the guess that he follows both experimentally， and awaits， at the hand of destiny， one of those directing hints of which she is so lavish to the wise.
On the one hand， as Maire du Palais to the incompetent Otto， and using the love-sick Princess for a tool and mouthpiece， he pursues a policy of arbitrary power and territorial aggrandisement. He has called out the whole capable male population of the state to military service； he has bought cannon； he has tempted away promising officers from foreign armies； and he now begins， in his international relations， to assume the swaggering port and the vague， threatful language of a bully. The idea of extending Grü；newald may appear absurd， but the little state is advantageously placed， its neighbours are all defenceless； and if at any moment the jealousies of the greater courts should neutralise each other， an active policy might double the principality both in population and extent.
