And above all--and what could be more conclusive--had she not taken her hair down to do it, and let him select the very tress that pleased him best?--and was not this curl, at that very moment, concealed in a pill-box and safely hidden in his unlocked bureau-drawer, where his mother saw it with a smile the last time she put away his linen? This love-affair--as were the love-affairs of all the other young people--was common gossip around Kennedy Square. Had there been any doubts about it, it would only have been necessary to ask any old Malachi, or Hannah; or Juno. They could have given every detail of the affair, descanting upon all its joys and its sorrows.
Sweet girls of the days gone by, what crimes some of you have to answer for! At least one of you must remember how my own thumb was cut into slits over these same cherry-stones, and why the ends of your ringlets were tucked away in a miniature box in my drawer, with the pressed flowers and signet-ring, and the rest of it. And you could--if you would--recall a waiting promise made to me years and years ago.
And the wedding! Surely you have not forgotten that. I was there, you remember--but not as the groom.
On one particular evening in June--an evening that marked an important stage in the development of Oliver's fortunes--the front porch, owing to Malachi's attentions, was in spotless condition--steps, knocker, and round silver knobs.
Sue and Oliver sat on the top step; they had stolen across from the Clayton porch on some pretended errand. Sue's chin was in her hand, and Oliver sat beside her pouring out his heart as he had never done before. He had realized long ago that she could never understand his wanting to be a painter as Miss Clendenning had done, and so he had never referred to it since the night of the musicale, when he had raced across the Square to tell her of his talk with the little lady. Sue, as he remembered afterward, had listened abstractedly. She would have preferred at the time his running in to talk about herself rather than about his queer ambitions. She was no more interested now.
"Ollie, what does your father say about all this?" she finally asked in a perfunctory way. "Would he be willing for you to be a painter?" It bored her to listen to Oliver's enthusiastic talk about light and shade, and color and perspective, and what Mr. Crocker had said and what Mr. Crocker was doing, and what Mr. Crocker's last portrait was like. She was sure that nobody else around Kennedy Square talked of such things or had such curious ambitions.
They shocked her as much as Oliver's wearing some outlandish clothes would have done--****** him conspicuous and, perhaps, an object of ridicule.
"Father's all right, Sue. He's always right," Oliver answered. "He believes in Mr. Crocker, just as he believes in a lot of things that a good many people around here don't understand. He believes the time will come when they will value his pictures, and be proud to own them. But I don't care who owns mine; I just want the fun of painting them.
Just think of what a man can do with a few tubes of color, a brush, and a bit of canvas. So I don't care if they never buy what I paint. I can get along somehow, just as Mr. Crocker does. He's poor, but just see how happy he is. Why, when he does a good thing he's nothing but a boy, he's so glad about it. I always know how his work has gone when I see his face."
"But, Ollie, he's so shabby, and his daughter gives music-lessons. Nobody THINKS of inviting her anywhere."
Sue's eyes were shut tight, with an expression of assumed contempt, and her little nose was straight up.
