"Booth's a swordsman, is he?" he said, pushing back his turban from his forehead, and walking toward Munson, glass in hand, his baggy trousers and tunic ****** him look twice his regular size. "You know as much about fencing, Munson, as you do about the lost tribes of Israel. Booth handles his foil as a policeman does a rattan cane in the pit of the Bowery. Forrest is the only man in this country who can handle a blade."
"I do, do I?" cried Munson, springing to his feet and unhooking a pair of foils decorating the wall.
"Stop where you are, you caricature of Nana Sahib, or I'll run you through the body and pin you to the wall like a beetle, where you can kick to your heart's content. Here, catch this," and he tossed one of the foils to Waller.
"A ring! A ring!" cried the men, with one of those sudden inspirations that often swept over them, jumping from their seats and pushing back the chairs and music-racks to give the contestants room.
Waller laid down his wine-glass, slipped off his turban and gold embroidered tunic with great deliberation, threw them over to Oliver, who caught them in his arms, tightened his sash, grasped the foil in his fat hand, and with great gravity made a savage lunge at the counterfeit presentment of William Shakespeare, who parried his blow without moving from where he stood. Thereupon the lithe, well-built young fellow teetered his foil in the air, and with great nicety pinked his fat antagonist in the stomach, selecting a gilt band just above his sash as the point of contact.
A mock battle now ensued, Munson chasing Waller about the room, the, members roaring with laughter, Richard, with Oliver's assistance, having mounted the divan to see the better, clapping his hands like any boy and shouting, "Bravo! Bravo! Now the uppercut, now the thrust! Ah, well done. Capital!
Capital!"
Oliver listened in wonder to the strange expressions that dropped from his father's lips. Up to that moment he had never known that the old gentleman had ever touched a foil in his life.
The next instant Richard was on the floor again, commiserating with Waller, who was out of Munson's reach and out of breath with laughter, and congratulating Munson on his skill as a swordsman.
"I only noticed one flaw, my dear Mr. Munson, in your handling," he cried, with a graceful wave of the hand, "and that may be due to your more modern way of fencing. Pardon me"--and he picked up Waller's foil where he had dropped it, and the fine wrist with the nimble fingers, that had served him so well all his days, closed over the handle of the foil.
"The thrust in the old days was made SO. You, I think, made it SO"--and two flashes at different angles gleamed in the candle-light.
Munson, as if to humor the old gentleman, threw up his foil, made a pass or two, and, to his intense astonishment, received the button of Richard's foil on his black velvet jacket and within an inch of his heart.
Everybody on the floor at once circled about the contestants. The spectacle of an old gentleman in a snuff-colored coat and high collar, having a bout with a short gentleman in shorter velvet trunks, silk hose, and steel buckles, was one too droll and too exhilarating to lose--anachronistic it was, yet quite in keeping with the surroundings. More exhilarating still was the extreme punctiliousness with which the old gentleman raised the handle of his foil to his chin after he had made his point, and saluted his antagonist as if he had been some knight of King Arthur's table.
Still more fascinating was the way in which the younger man settled down to work, his brow knit, his lips tightly closed, the members widening out to give them room, Oliver and Nathan cheering the loudest of them all as Richard's foil flashed in the air, parrying, receiving, now up, now down, his right foot edging closer, his dear old head bent low, his deep eyes fixed on his young antagonist, until, with a quick thrust of his arm and a sudden upward twist of his hand, he wrenched Munson's foil from his grasp and sent it flying across the room.
Best of all was the joyful yet apologetic way with which Richard sprang forward and held out his hand to Munson, crying out:
"A fluke, my dear Mr. Munson; quite a fluke, I assure you. Pray forgive me. A mere lucky accident.
My old fencing master, Martini, taught me that trick. I thought I had quite forgotten it. Just think! it is forty years since I have had a foil in my hands," and, laughing like a boy he crossed the room, picked up the foil, and, bowing low, handed it to the crestfallen man with the air of a gallant.
Half the club, costumed as they were--it was now after midnight, and there were but few people in the streets--escorted the two old men back to their hotel.
Munson walked beside Richard; Waller, his flowing skirts tucked up inside his overcoat, stepped on the right of Nathan; Oliver, Fred, and the others followed behind, the hubbub of their talk filling the night: even when they reached the side door of the hotel and rang up the night porter, they must still stand on the sidewalk listening to Richard's account of the way the young gallants were brought up in his day; of the bouts with the foils; and of the duels which were fought before they were willing to take their leave.
When the last good-byes had been given, and Oliver had waved his rapier from the doorstep as a final farewell to his fellow-members before he saw his father upstairs to bed, and the delighted escort had turned on their heels to retrace their steps up Broadway, Waller slipped his arm into Munson's, and said, in his most thoughtful tone, one entirely free from cynicism or badinage:
"What a lovely pair of old duffers. We talk about Bohemia, Munson, and think we've got it, but we haven't. Our kind is a cheap veneer glued to commonplace pine. Their kind is old mahogany, solid all the way through--fine grain, high polish and no knots. I only wish they lived here."
