An hour later, over the tea-table, Susy already felt herself mysteriously reabsorbed into what had so long been her native element. Ellie Vanderlyn had brought a breath of it to Venice; but Susy was then nourished on another air, the air of Nick's presence and personality; now that she was abandoned, left again to her own devices, she felt herself suddenly at the mercy of the influences from which she thought she had escaped.
In the queer social whirligig from which she had so lately fled, it seemed natural enough that a shake of the box should have tossed Nat Fulmer into celebrity, and sent Violet Melrose chasing back from the ends of the earth to bask in his success.
Susy knew that Mrs. Melrose belonged to the class of moral parasites; for in that strange world the parts were sometimes reversed, and the wealthy preyed upon the pauper. Wherever there was a reputation to batten on, there poor Violet appeared, a harmless vampire in pearls who sought only to feed on the notoriety which all her millions could not create for her. Any one less versed than Susy in the shallow mysteries of her little world would have seen in Violet Melrose a baleful enchantress, in Nat Fulmer her helpless victim. Susy knew better. Violet, poor Violet, was not even that. The insignificant Ellie Vanderlyn, with her brief trivial passions, her artless mixture of amorous and social interests, was a woman with a purpose, a creature who fulfilled herself; but Violet was only a drifting interrogation.
And what of Fulmer? Mustering with new eyes his short sturdily- built figure, his nondescript bearded face, and the eyes that dreamed and wandered, and then suddenly sank into you like claws, Susy seemed to have found the key to all his years of dogged toil, his indifference to neglect, indifference to poverty, indifference to the needs of his growing family ....
Yes: for the first time she saw that he looked commonplace enough to be a genius--was a genius, perhaps, even though it was Violet Melrose who affirmed it! Susy looked steadily at Fulmer, their eyes met, and he smiled at her faintly through his beard.
"Yes, I did discover him--I did," Mrs. Melrose was insisting, from the depths of the black velvet divan in which she lay sunk like a wan Nereid in a midnight sea. "You mustn't believe a word that Ursula Gillow tells you about having pounced on his 'Spring Snow Storm' in a dark corner of the American Artists' exhibition--skied, if you please! They skied him less than a year ago! And naturally Ursula never in her life looked higher than the first line at a picture-show. And now she actually pretends ... oh, for pity's sake don't say it doesn't matter, Fulmer! Your saying that just encourages her, and makes people think she did. When, in reality, any one who saw me at the exhibition on varnishing-day .... Who? Well, Eddy Breckenridge, for instance. He was in Egypt, you say? Perhaps he was! As if one could remember the people about one, when suddenly one comes upon a great work of art, as St. Paul did-- didn't he?--and the scales fell from his eyes. Well ... that's exactly what happened to me that day ... and Ursula, everybody knows, was down at Roslyn at the time, and didn't come up for the opening of the exhibition at all. And Fulmer sits there and laughs, and says it doesn't matter, and that he'll paint another picture any day for me to discover!"
Susy had rung the door-bell with a hand trembling with eagerness--eagerness to be alone, to be quiet, to stare her situation in the face, and collect herself before she came out again among her kind. She had stood on the door-step, cowering among her bags, counting the instants till a step sounded and the door-knob turned, letting her in from the searching glare of the outer world .... And now she had sat for an hour in Violet's drawing-room, in the very house where her honey-moon might have been spent; and no one had asked her where she had come from, or why she was alone, or what was the key to the tragedy written on her shrinking face ....
That was the way of the world they lived in. Nobody questioned, nobody wondered any more-because nobody had time to remember.
The old risk of prying curiosity, of malicious gossip, was virtually over: one was left with one's drama, one's disaster, on one's hands, because there was nobody to stop and notice the little shrouded object one was carrying. As Susy watched the two people before her, each so frankly unaffected by her presence, Violet Melrose so engrossed in her feverish pursuit of notoriety, Fulmer so plunged in the golden sea of his success, she felt like a ghost ****** inaudible and imperceptible appeals to the grosser senses of the living.
"If I wanted to be alone," she thought, "I'm alone enough, in all conscience." There was a deathly chill in such security.
She turned to Fulmer.
"And Grace?"
He beamed back without sign of embarrassment. "Oh, she's here, naturally--we're in Paris, kids and all. In a pension, where we can polish up the lingo. But I hardly ever lay eyes on her, because she's as deep in music as I am in paint; it was as big a chance for her as for me, you see, and she's ****** the most of it, fiddling and listening to the fiddlers. Well, it's a considerable change from New Hampshire." He looked at her dreamily, as if ****** an intense effort to detach himself from his dream, and situate her in the fading past. "Remember the bungalow? And Nick--ah, how's Nick?" he brought out triumphantly.
"Oh, yes--darling Nick?" Mrs. Melrose chimed in; and Susy, her head erect, her cheeks aflame, declared with resonance: "Most awfully well--splendidly!"
"He's not here, though?" from Fulmer.
"No. He's off travelling--cruising."
Mrs. Melrose's attention was faintly roused. "With anybody interesting?"
"No; you wouldn't know them. People we met ...." She did not have to continue, for her hostess's gaze had again strayed.
