"That is the trouble," said Alessandro, "with so many of them; it is with my father's people, too. They say, 'What is the use?' My father gets in despair with them, because they will not learn better. He gives them a great deal, but they do not seem to be any better off for it. There is only one other man in our village who can read and write, besides my father and me, Senorita; and yet my father is all the time begging them to come to his house and learn of him. But they say they have no time; and indeed there is much truth in that, Senorita. You see everybody has troubles, Senorita."
Ramona had been listening with sorrowful face. All this was new to her. Until to-night, neither she nor Alessandro had spoken of private and personal matters.
"Ah, but these are real troubles," she said. "I do not think mine were real troubles at all. I wish I could do something for your people, Alessandro. If the village were only near by, I could teach them, could I not? I could teach them to read. The Sisters always said, that to teach the ignorant and the poor was the noblest work one could do. I wish I could teach your people. Have you any relatives there besides your father? Is there any one in the village that you -- love, Alessandro?"
Alessandro was too much absorbed in thoughts of his people, to observe the hesitating emphasis with which Ramona asked this question.
"Yes, Senorita, I love them all. They are like my brothers and sisters, all of my father's people," he said; "and I am unhappy about them all the time."
During the whole of this conversation Ramona had had an undercurrent of thought going on, which was ****** her uneasy.
The more Alessandro said about his father and his people, the more she realized that he was held to Temecula by bonds that would be hard to break, the more she feared his father would not let him remain away from home for any length of time. At the thought of his going away, her very heart sickened. Taking a sudden step towards him, she said abruptly, "Alessandro, I am afraid your father will not give his consent to your staying here."
"So am I, Senorita," he replied sadly.
"And you would not stay if he did not approve of it, of course," she said.
"How could I, Senorita?"
"No," she said, "it would not be right;" but as she said these words, the tears filled her eyes.
Alessandro saw them. The world changed in that second.
"Senorita! Senorita Ramona!" he cried, "tears have come in your eyes! O Senorita, then you will not be angry if I say that I love you!" and Alessandro trembled with the terror and delight of having said the words.
Hardly did he trust his palpitating senses to be telling him true the words that followed, quick, firm, though only in a whisper,-- "I know that you love me, Alessandro, and I am glad of it!" Yes, this was what the Senorita Ramona was saying! And when he stammered, "But you, Senorita, you do not -- you could not --"
"Yes, Alessandro, I do -- I love you!" in the same clear, firm whisper; and the next minute Alessandro's arms were around Ramona, and he had kissed her, sobbing rather than saying, "O Senorita, do you mean that you will go with me? that you are mine? Oh, no, beloved Senorita, you cannot mean that!" But he was kissing her. He knew she did mean it; and Ramona, whispering, "Yes, Alessandro, I do mean it; I will go with you," clung to him with her hands, and kissed him, and repeated it, "I will go with you, I love you." And then, just then, came the Senora's step, and her sharp cry of amazement, and there she stood, no more than an arm's-length away, looking at them with her indignant, terrible eyes.
What an hour this for Alessandro to be living over and over, as he crouched in the darkness, watching! But the bewilderment of his emotions did not dull his senses. As if stalking deer in a forest, he listened for sounds from the house. It seemed strangely still. As the darkness deepened, it seemed still stranger that no lamps were lit.
Darkness in the Senora's room, in the Senorita's; a faint light in the dining-room, soon put out,-- evidently no supper going on there.
Only from under Felipe's door streamed a faint radiance; and creeping close to the veranda, Alessandro heard voices fitfully talking,-- the Senora's and Felipe's; no word from Ramona.
Piteously he fixed his eyes on her window; it was open, but the curtains tight drawn; no stir, no sound. Where was she? What had been done to his love? Only the tireless caution and infinite patience of his Indian blood kept Alessandro from going to her window. But he would imperil nothing by acting on his own responsibility. He would wait, if it were till daylight, till his love made a sign. Certainly before long Senor Felipe would come to his veranda bed, and then he could venture to speak to him. But it was near midnight when the door of Felipe's room opened, and he and his mother came out, still speaking in low tones. Felipe lay down on his couch; his mother, bending over, kissed him, bade him good-night, and went into her own room.
It had been some time now since Alessandro had left off sleeping on the veranda floor by Felipe's side. Felipe was so well it was not needful. But Felipe felt sure he would come to-night, and was not surprised when, a few minutes after the Senora's door closed, he heard a low voice through the vines, "Senor Felipe?"
"Hush, Alessandro," whispered Felipe. "Do not make a sound.
To-morrow morning early I will see you, behind the little sheepfold. It is not safe to talk here."
"Where is the Senorita?" Alessandro breathed rather than said.
"In her room," answered Felipe.
"Well?" said Alessandro.
"Yes," said Felipe, hoping he was not lying; and this was all Alessandro had to comfort himself with, through his long night of watching. No, not all; one other thing comforted him,-- the notes of two wood-doves, that at intervals he heard, cooing to each other; just the two notes, the call and the answer, "Love?" "Here."
"Love?" "Here," -- and long intervals of silence between. Plain as if written on a page was the thing they told.
"That is what my Ramona is like," thought he, "the gentle wood-dove. If she is my wife my people will call her Majel, the Wood-Dove."
