"You know the detective is following you," explained Baird, "and you're going to get him. Take your nag over a little so the tree won't mask him too much. That's it. Now, you look back, lean forward in the saddle, listen! You hear him coming. Your face sets--look as grim as you can. That's the stuff--the real Buck Benson stuff when they're after him. That's fine. Now you get an idea. Unlash your rope, let the noose out, give it a couple of whirls to see is everything all right. That's it--only you still look grim--not so worried about whether the rope is going to act right. We'll attend to that. When the detective comes in sight give about three good whirls and let her fly. Try it once. Good! Now coil her up again and go through the whole thing. Never mind about whether you're going to get him or not. Remember, Buck Benson never misses. We'll have a later shot that shows the rope falling over his head."Thereupon the grim-faced Benson, strong, silent man of the open, while the cameras ground, waited the coming of one who hounded him for a crime of which he was innocent. His iron face was relentless.
He leaned forward, listening. He uncoiled the rope, expertly ran out the noose, and grimly waited. Far up the road appeared the detective on a galloping horse. Benson twirled the rope as he sat in his saddle. It left his hand, to sail gracefully in the general direction of his pursuer.
"Cut!" called Baird. "That was bully. Now you got him. Ride out into the road. You're dragging him off his horse, see? Keep on up the road; you're still dragging the hound. Look back over your shoulder and light your face up just a little--that's it, use Benson's other expression. You got it fine. You're treating the skunk rough, but look what he was doing to you, trying to pinch you for something you never did. That's fine--go ahead. Don't look back any more."Merton was chiefly troubled at this moment by the thought that someone would have to double for him in the actual casting of the rope that would settle upon the detective's shoulders. Well, he must practise roping. Perhaps, by the next picture. he could do this stuff himself. It was exciting work, though sometimes tedious. It had required almost an entire morning to enact this one ****** scene, with the numerous close-ups that Baird demanded.
The afternoon was taken up largely in becoming accustomed to a pair of old Spanish spurs that Baird now provided him with. Baird said they were very rare old spurs which he had obtained at a fancy price from an impoverished Spanish family who had treasured them as heirlooms. He said he was sure that Buck Benson in all his vast collection did not possess a pair of spurs like these. He would doubtless, after seeing them worn by Merton Gill in this picture, have a pair made like them.
The distinguishing feature of these spurs was their size. They were enormous, and their rowels extended a good twelve inches from Merton's heels after he had donned them.
"They may bother you a little at first," said Baird, "but you'll get used to them, and they're worth a little trouble because they'll stand out."The first effort to walk in them proved bothersome indeed, for it was made over ground covered with a low-growing vine and the spurs caught in this. Baird was very earnest in supervising this progress, and even demanded the presence of two cameras to record it.
"Of course I'm not using this stuff," he said, "but I want to make a careful study of it. These are genuine hidalgo spurs. Mighty few men in this line of parts could get away with them. I bet Benson himself would have a lot of trouble. Now, try it once more."Merton tried once more, stumbling as the spurs caught in the undergrowth. The cameras closely recorded his efforts, and Baird applauded them. "You're getting it--keep on. That's better. Now try to run a few steps--go right toward that left-hand camera."He ran the few steps, but fell headlong. He picked himself up, an expression of chagrin on his face.
"Never mind," urged Baird. "Try it again. We must get this right."He tried again to run; was again thrown. But he was determined to please the manager, and he earnestly continued his efforts. Benson himself would see the picture and probably marvel that a new man should have mastered, apparently with ease, a pair of genuine hidalgos.
"Maybe we better try smoother ground," Baird at last suggested after repeated falls had shown that the undergrowth was difficult. So the cameras were moved on to the front of a ranche house now in use for the drama, and the spur lessons continued. But on smooth ground it appeared that the spurs were still troublesome. After the first mishap here Merton discovered the cause. The long shanks were curved inward so that in walking their ends clashed. He pointed this out to Baird, who was amazed at the discovery.
"Well, well, that's so! They're bound to interfere. I never knew that about hidalgo spurs before.""We might straighten them," suggested the actor.
"No, no," Baird insisted, "I wouldn't dare try that. They cost too much money, and it might break 'em. I tell you what you do, stand up and try this: just toe in a little when you walk--that'll bring the points apart. There--that's it; that's fine."The cameras were again recording so that Baird could later make his study of the difficulties to be mastered by the wearer of genuine hidalgos. By toeing in Merton now succeeded in walking without disaster, though he could not feel that he was taking the free stride of men out there in the open spaces.
"Now try running." directed Baird, and he tried running; but again the spurs caught and he was thrown full in the eyes of the grinding camera. He had forgotten to toe in. But he would not give up. His face was set in Buck Benson grimness. Each time he picked himself up and earnestly resumed the effort. The rowels were now catching in the long hair of his chaps.
