From the table back of Merton Gill came a voice in speech to the retreating back of Henshaw: "All right, old top, but it'll take a good lens to catch any blight on this bunch--most of 'em haven't worked a lick in six weeks, and they're tickled pink." He knew without turning that this was the Montague girl trying to be funny at the expense of Henshaw who was safely beyond hearing. He thought she would be a disturbing element in the scene, but in this he was wrong, for he bent upon the wine glass a look more than ever fraught with jaded world-weariness. The babble of Broadway was resumed as Henshaw went back to the cameras.
Presently a camera was pushed forward. Merton Gill hardly dared look up, but he knew it was halted at no great distance from him. "Now, here's rather a good little bit," Henshaw was saying. "You, there, the girl in black, go on--tease him the way you were, and he's to give you that same look. Got that cigarette going? All ready.
Lights! Camera!" Merton was achieving his first close-up. Under the hum of the lights he was thinking that he had been a fool not to learn dancing, no matter how the Reverend Otto Carmichael denounced it as a survival from the barbaric Congo. He was also thinking that the Montague girl ought to be kept away from people who were trying to do really creative things, and he was bitterly regretting that he had no silver cigarette case. The gloom of his young face was honest gloom. He was aware that his companion leaned vivaciously toward him with gay chatter and gestures. Very slowly he inhaled from a cigarette that was already distasteful--adding no little to the desired effect--and very slowly he exhaled as he raised to hers the bored eyes of a soul quite disillusioned. Here, indeed, was the blight of Broadway.
"All right, first rate!" called Henshaw. "Now get this bunch down here." The camera was pushed on.
"Gee, that was luck!" said the girl. "Of course it'll be cut to a flash, but I bet we stand out, at that." She was excited now, no longer needing to act.
From the table back of Merton came the voice of the Montague girl:
"Yes, one must suffer for one's art. Here I got to be a baby-vamp when I'd rather be ****** little Madelon, beloved by all in the village."He restrained an impulse to look around at her. She was not serious and should not be encouraged. Farther down the set Henshaw was beseeching a table of six revellers to give him a little hollow gayety. "You're simply forcing yourselves to have a good time," he was saying; "remember that. Your hearts aren't in it. You know this night life is a mockery. Still, you're playing the game. Now, two of you raise your glasses to drink. You at the end stand up and hold your glass aloft. The girl next to you there, stand up by him and raise your face to his--turn sideways more. That's it. Put your hand up to his shoulder. You're slightly lit, you know, and you're inviting him to kiss you over his glass. You others, you're drinking gay enough, but see if you can get over that it's only half-hearted.
You at the other end there--you're staring at your wine glass, then you look slowly up at your partner but without any life. You're feeling the blight, see? A chap down the line here just did it perfectly. All ready, now! Lights! Camera! You blonde girl, stand up, face raised to him, hand up to his shoulder. You others, drinking, laughing. You at the end, look up slowly at the girl, look away--about there--bored, weary of it all--cut! All right. Not so bad. Now this next bunch, Paul."Merton Gill was beginning to loathe cigarettes. He wondered if Mr.
Henshaw would mind if he didn't smoke so much, except, of course, in the close-ups. His throat was dry and rough, his voice husky. His companion had evidently played more smoking parts and seemed not to mind it.
Henshaw was now opposite them across the dancing floor, warning his people to be gay but not too gay. The glamour of this night life must be a little dulled.
"Now, Paul, get about three medium shots along here. There's a good table--get that bunch. And not quite so solemn, people; don't overdo it. You think you're having a good time, even if it does turn to ashes in your mouth--now, ready; lights! Camera!""I like Western stuff better," confided Merton to his companion. She considered this, though retaining her arch manner. "Well, I don't know. I done a Carmencita part in a dance-hall scene last month over to the Bigart, and right in the mi'st of the fight I get a glass of somethin' all over my gown that practically rooned it. I guess Irather do this refined cabaret stuff--at least you ain't so li'ble to roon a gown. Still and all, after you been warmin' the extra bench for a month one can't be choosy. Say, there's the princ'ples comin' on the set."He looked around. There, indeed, was the beautiful Muriel Mercer, radiant in an evening frock of silver. At the moment she was putting a few last touches to her perfect face from a make-up box held by a maid. Standing with her was another young woman, not nearly so beautiful, and three men. Henshaw was instructing these. Presently he called through his megaphone: "You people are excited by the entrance of the famous Vera Vanderpool and her friends. You stop drinking, break off your talk, stare at her--see what I mean?--she makes a sensation. Music, lights, camera!"Down the set, escorted by a deferential head-waiter, came Muriel Mercer on the arm of a middle-aged man who was elaborately garnished but whose thin dyed mustaches, partially bald head, and heavy eyes, proclaimed him to Merton Gill as one who meant the girl no good.
