MISS MONTAGUE USES HER OWN FACE
Work on the piece dragged slowly to an end. In these latter days the earnest young leading man suffered spells of concern for his employer. He was afraid that Mr. Baird in his effort to struggle out of the slough of low comedy was not going to be wholly successful.
He had begun to note that the actors employed for this purpose were not invariably serious even when the cameras turned. Or, if serious, they seemed perhaps from the earnestness of their striving for the worth-while drama, to be a shade too serious. They were often, he felt, over-emphatic in their methods. Still, they were, he was certain, good actors. One could always tell what they meant.
It was at these times that he especially wished he might be allowed to view the "rushes." He not only wished to assure himself for Baird's sake that the piece would be acceptably serious, but he wished, with a quite seemly curiosity, to view his own acting on the screen. It occurred to him that he had been acting a long time without a glimpse of himself. But Baird had been singularly firm in this matter, and the Montague girl had sided with him. It was best, they said, for a beginning actor not to see himself at first. It might affect his method before this had crystallized; make them self-conscious, artificial.
He was obliged to believe that these well-wishers of his knew best.
He must not, then, trifle with a screen success that seemed assured.
He tried to be content with this decision. But always the misgivings would return. He would not be really content until he had watched his own triumph. Soon this would be so securely his privilege that not even Baird could deny it, for the first piece in which he had worked was about to be shown. He looked forward to that.
It was toward the end of the picture that his intimacy with the Montague girl grew to a point where, returning from location to the studio late, they would dine together. "Hurry and get ungreased, Son," she would say, "and you can take an actress out to dinner."Sometimes they would patronize the cafeteria on the lot, but oftener, in a spirit of adventure, they would search out exotic restaurants. A picture might follow, after which by street-car he would escort her to the Montague home in a remote, flat region of palm-lined avenues sparsely set with new bungalows.
She would disquiet him at these times by insisting that she pay her share of the expense, and she proved to have no mean talent for petty finance, for she remembered every item down to the street-car fares. Even to Merton Gill she seemed very much a child once she stepped from the domain of her trade. She would stare into shop windows wonderingly, and never failed to evince the most childish delight when they ventured to dine at an establishment other than a cafeteria.
At times when they waited for a car after these dissipations he suffered a not unpleasant alarm at sight of a large-worded advertisement along the back of a bench on which they would sit.
"You furnish the Girl, We furnish the House," screamed the bench to him above the name of an enterprising tradesman that came in time to bite itself deeply into his memory.
Of course it would be absurd, but stranger things, he thought, had happened. He wondered if the girl was as afraid of him as of other men. She seemed not to be, but you couldn't tell much about her. She had kissed him one day with a strange warmth of manner, but it had been quite publicly in the presence of other people. When he left her at her door now it was after the least sentimental of partings, perhaps a shake of her hard little hand, or perhaps only a "S'long--see you at the show-shop!"
It was on one of these nights that she first invited him to dine with the Montague family. "I tried last night to get you on the telephone," she explained, "but they kept giving me someone else, or maybe I called wrong. Ain't these six-figured Los Angeles telephone numbers the limit? When you call 208972 or something, it sounds like paging a box-car. I was going to ask you over. Ma had cooked a lovely mess of corned beef and cabbage. Anyway, you come eat with us to-morrow night, will you? She'll have something else cooked up that will stick to the merry old slats. You can come home with me when we get in from work."So it was that on the following night he enjoyed a home evening with the Montagues. Mrs. Montague had indeed cooked up something else, and had done it well; while Mr. Montague offered at the sideboard a choice of ******* distillations and brews which he warmly recommended to the guest. While the guest timidly considered, having had but the slightest experience with intoxicants, it developed that the confidence placed in his product by the hospitable old craftsman was not shared by his daughter.
"Keep off it," she warned, and then to her father, "Say, listen, Pa, have a heart; that boy's got to work to-morrow." "So be it, my child," replied Mr. Montague with a visible stiffening of manner.
"Sylvester Montague is not the man to urge strong drink upon the reluctant or the over-cautious. I shall drink my aperatif alone.""Go to it, old Pippin," rejoined his daughter as she vanished to the kitchen.
"Still, a little dish of liquor at this hour," continued the host suggestively when they were alone.
"Well"--Merton wished the girl had stayed--"perhaps just a few drops.""Precisely, my boy, precisely. A mere dram." He poured the mere dram and his guest drank. It was a colourless, fiery stuff with an elusive taste of metal. Merton contrived an expression of pleasure under the searching glance of his host. "Ah, I knew you would relish it. I fancy I could amaze you if I told you how recently it was made. Now here"--He grasped another bottle purposely--"is something a full ten days older. It has developed quite a bouquet. Just a drop--"The guest graciously yet firmly waved a negation.
