Then she told them--Merton especially--how her directors had again and again besought her not to persist in risking her life in her dangerous exploits, but to allow a double to take her place at the more critical moments. But she had never been able to bring herself to this deception, for deception, in a way, it would be. The directors had entreated in vain. She would keep faith with her public, though full well she knew that at any time one of her dare-devil acts might prove fatal.
Her public was very dear to her. She was delighted to meet it here, face to face, heart to heart. She clasped her own slender hands over her own heart as she said this, and there was a pathetic little catch in her voice as she waved farewell kisses to the throng. Many a heart besides Merton's beat more quickly at knowing that she must rush out to the high-powered roadster and be off at eighty miles an hour to St. Louis, where another vast audience would the next day be breathlessly awaiting her personal appearance.
Merton had felt abundantly repaid for his journey. There had been inspiration in this contact. Little he minded the acid greeting, on his return, of a mere Gashwiler, spawning in his low mind a monstrous suspicion that the dying aunt had never lived.
Now he read in his magazines other intimate interviews by other talented young women who had braved the presence of other screen idols of both ***es. The interviewers approached them with trepidation, and invariably found that success had not spoiled them.
Fine artists though they were, applauded and richly rewarded, yet they remained ******, unaffected, and cordial to these daring reporters. They spoke with quiet dignity of their work, their earnest efforts to give the public something better and finer. They wished the countless readers of the interviews to comprehend that their triumphs had come only with infinite work and struggle, that the beautiful comes only through suffering and sacrifice. At lighter moments they spoke gayly of their palatial homes, their domestic pets, their wives or husbands and their charming children. They all loved the great out-of-doors, but their chief solace from toil was in this unruffled domesticity where they could forget the worries of an exacting profession and lead a ****** home life. All the husbands and wives were more than that--they were good pals; and of course they read and studied a great deal. Many of them were wild about books.
He was especially interested in the interview printed by Camera with that world favourite, Harold Parmalee. For this was the screen artist whom Merton most envied, and whom he conceived himself most to resemble in feature. The lady interviewer, Miss Augusta Blivens, had gone trembling into the presence of Harold Parmalee, to be instantly put at her ease by the young artist's ******, unaffected manner. He chatted of his early struggles when he was only too glad to accept the few paltry hundreds of dollars a week that were offered him in minor parts; of his quick rise to eminence; of his unceasing effort to give the public something better and finer; of his love for the great out-of-doors; and of his daily flight to the little nest that sheltered his pal wife and the kiddies. Here he could be truly himself, a man's man, loving the ****** things of life. Here, in his library, surrounded by his books, or in the music room playing over some little Chopin prelude, or on the lawn romping with the giant police dog, he could forget the public that would not let him rest. Nor had he been spoiled in the least, said the interviewer, by the adulation poured out upon him by admiring women and girls in volume sufficient to turn the head of a less sane young man.
