But the greatest curiosity in the collection was that of three portraits belonging to the pre-historical age, and, according to mythical tradition, taken by the orders of a philosopher, whose origin and attributes were as much mixed up with symbolical fable as those of an Indian Budh or a Greek Prometheus.
>From this mysterious personage, at once a sage and a hero, all the principal sections of the Vril-ya race pretend to trace a common origin.
The portraits are of the philosopher himself, of his grandfather, and great-grandfather. They are all at full length. The philosopher is attired in a long tunic which seems to form a loose suit of scaly armour, borrowed, perhaps, from some fish or reptile, but the feet and hands are exposed: the digits in both are wonderfully long, and webbed. He has little or no perceptible throat, and a low receding forehead, not at all the ideal of a sage's. He has bright brown prominent eyes, a very wide mouth and high cheekbones, and a muddy complexion. According to tradition, this philosopher had lived to a patriarchal age, extending over many centuries, and he remembered distinctly in middle life his grandfather as surviving, and in childhood his great-grandfather; the portrait of the first he had taken, or caused to be taken, while yet alive- that of the latter was taken from his effigies in mummy. The portrait of his grandfather had the features and aspect of the philosopher, only much more exaggerated: he was not dressed, and the colour of his body was singular; the breast and stomach yellow, the shoulders and legs of a dull bronze hue: the great-grandfather was a magnificent specimen of the Batrachian genus, a Giant Frog, 'pur et ******.'
