It is two o'clock in the afternoon. A white angry fire pours from the sky, which is pale from excess of light. A sun inimical to the men of our climate scorches the enormous fossil which, crumbling in places, is all that remains of Thebes and which lies there like the carcass of a gigantic beast that has been dead for thousands of years, but is too massive ever to be annihilated.
In the hypostyle there is a little blue shade behind the monstrous pillars, but even that shade is dusty and hot. The columns too are hot, and so are all the blocks--and yet it is winter and the nights are cold, even to the point of frost. Heat and dust; a reddish dust, which hangs like an eternal cloud over these ruins of Upper Egypt, exhaling an odour of spices and mummy.
The great heat seems to augment the retrospective sensation of fatigue which seizes you as you regard these stones--too heavy for human strength--which are massed here in mountains. One almost seems to participate in the efforts, the exhaustions and the sweating toils of that people, with their muscles of brand new steel, who in the carrying and piling of such masses had to bear the yoke for thirty centuries.
Even the stones themselves tell of fatigue--the fatigue of being crushed by one another's weight for thousands of years; the suffering that comes of having been too exactly carved, and too nicely placed one above the other, so that they seem to be riveted together by the force of their mere weight. Oh! the poor stones of the base that bear the weight of these awful pilings!
And the ardent colour of these things surprises you. It has persisted.
On the red sandstone of the hypostyle, the paintings of more than three thousand years ago are still to be seen; especially above the central chamber, almost in the sky, the capitals, in the form of great flowers, have kept the lapis blues, the greens and yellows with which their strange petals were long ago bespeckled.
Decrepitude and crumbling and dust. In broad daylight, under the magnificent splendour of the life-giving sun, one realises clearly that all here is dead, and dead since days which the imagination is scarcely able to conceive. And the ruin appears utterly irreparable.
Here and there are a few impotent and almost infantine attempts at reparation, undertaken in the ancient epochs of history by the Greeks and Romans. Columns have been put together, holes have been filled with cement. But the great blocks lie in confusion, and one feels, even to the point of despair, how impossible it is ever to restore to order such a chaos of crushing, overthrown things--even with the help of legions of workers and machines, and with centuries before you in which to complete the task.
And then, what surprises and oppresses you is the want of clear space, the little room that remained for the multitudes in these halls which are nevertheless immense. The whole space between the walls was encumbered with pillars. The temples were half filled with colossal forests of stone. The men who built Thebes lived in the beginning of time, and had not yet discovered the thing which to us to-day seems so ******--namely, the vault. And yet they were marvellous pioneers, these architects. They had already succeeded in evolving out of the dark, as it were, a number of conceptions which, from the beginning no doubt, slumbered in mysterious germ in the human brain--the idea of rectitude, the straight line, the right angle, the vertical line, of which Nature furnishes no example, even symmetry, which, if you consider it well, is less explicable still. They employed symmetry with a consummate mastery, understanding as well as we do all the effect that is to be obtained by the repetition of like objects placed /en pendant/ on either side of a portico or an avenue. But they did not invent the vault. And therefore, since there was a limit to the size of the stones which they were able to place flat like beams, they had recourse to this profusion of columns to support their stupendous ceilings. And thus it is that there seems to be a want of air, that one seems to stifle in the middle of their temples, dominated and obstructed as they are by the rigid presence of so many stones. And yet to-day you can see quite clearly in these temples, for, since the suspended rocks which served for roof have fallen, floods of light descend from all parts. But formerly, when a kind of half night reigned in the deep halls, beneath the immovable carapaces of sandstone or granite, how oppressive and sepulchral it must all have been--how final and pitiless, like a gigantic palace of Death! On one day, however, in each year, here at Thebes, a light as of a conflagration used to penetrate from one end to the other of the sanctuaries of Amen; for the middle artery is open towards the north-west, and is aligned in such a fashion that, once a year, one solitary time, on the evening of the summer solstice, the sun as it sets is able to plunge its reddened rays straight into the sanctuaries. At the moment when it enlarges its blood-coloured disc before descending behind the desolation of the Libyan mountains, it arrives in the very axis of this avenue, of this suite of aisles, which measures more than 800 yards in length. Formerly, then, on these evenings it shone horizontally beneath the terrible ceilings--between these rows of pillars which are as high as our Colonne Vendome--and threw, for some seconds, its colours of molten copper into the obscurity of the holy of holies. And then the whole temple would resound with the clashing of music, and the glory of the god of Thebes was celebrated in the depths of the forbidden halls.
*****
