Night. A long straight road, the artery of some capital, through which our carriage drives at a fast trot, ****** a deafening clatter on the pavement. Electric light everywhere. The shops are closing; it must needs be late.
The road is Levantine in its general character; and we should have no clear notion of the place did we not see in our rapid, noisy passage signs that recall us to the land of the Arabs. People pass dressed in the long robe and tarboosh of the East; and some of the houses, above the European shops, are ornamented with mushrabiyas. But this blinding electricity strikes a false note. In our hearts are we quite sure we are in the East?
The road ends, opening on to darkness. Suddenly, without any warning, it abuts upon a void in which the eyes see nothing, and we roll over a yielding, felted soil, where all noise abruptly ceases--it is the /desert/! . . . Not a vague, nondescript stretch of country such as in the outskirts of our towns, not one of the solitudes of Europe, but the threshold of the vast desolations of Arabia. /The desert/; and, even if we had not known that it was awaiting us, we should have recognised it by the indescribable quality of harshness and uniqueness which, in spite of the darkness, cannot be mistaken.
But the night after all is not so black. It only seemed so, at the first moment, by contrast with the glaring illumination of the street.
In reality it is transparent and blue. A half-moon, high up in the heavens, and veiled by a diaphanous mist, shines gently, and as it is an Egyptian moon, more subtle than ours, it leaves to things a little of their colour. We can see now, as well as feel, this desert, which has opened and imposed its silence upon us. Before us is the paleness of its sands and the reddish-brown of its dead rocks. Verily, in no country but Egypt are there such rapid surprises: to issue from a street flanked by shops and stalls and, without transition, to find this! . . .
Our horses have, inevitably, to slacken speed as the wheels of our carriage sink into the sand. Around us still are some stray ramblers, who presently assume the air of ghosts, with their long black or white draperies, and noiseless tread. And then, not a soul; nothing but the sand and the moon.
But now almost at once, after the short intervening nothingness, we find ourselves in a new town; streets with little low houses, little cross-roads, little squares, all of them white, on whitened sands, beneath a white moon. . . . But there is no electricity in this town, no lights, and nobody is stirring; doors and windows are shut: no movement of any kind, and the silence, at first, is like that of the surrounding desert. It is a town in which the half-light of the moon, amongst so much vague whiteness, is diffused in such a way that it seems to come from all sides at once and things cast no shadows which might give them definiteness; a town where the soil is so yielding that our progress is weakened and retarded, as in dreams. It seems unreal; and, in penetrating farther into it, a sense of fear comes over you that can neither be dismissed nor defined.
For assuredly this is no ordinary town. . . . And yet the houses, with their windows barred like those of a harem, are in no way singular--except that they are shut and silent. It is all this whiteness, perhaps, which freezes us. And then, too, the silence is not, in fact, like that of the desert, which did at least seem natural, inasmuch as there was nothing there; here, on the contrary, there is a sense of innumerable presences, which shrink away as you pass but nevertheless continue to watch attentively. . . . We pass mosques in total darkness and they too are silent and white, with a slight bluish tint cast on them by the moon. And sometimes, between the houses, there are little enclosed spaces, like narrow gardens, but which can have no possible verdure. And in these gardens numbers of little obelisks rise from the sand--white obelisks, it is needless to say, for to-night we are in the kingdom of absolute whiteness. What can they be, these strange little gardens? . . . And the sand, meanwhile, which covers the streets with its thick coatings, continues to deaden the sound of our progress, out of compliment no doubt to all these watchful things that are so silent around us.
At the crossings and in the little squares the obelisks become more numerous, erected always at either end of a slab of stone that is about the length of a man. Their little motionless groups, posted as if on the watch, seem so little real in their vague whiteness that we feel tempted to verify them by touching, and, verily, we should not be astonished if our hand passed through them as through a ghost. Farther on there is a wide expanse without any houses at all, where these ubiquitous little obelisks abound in the sand like ears of corn in a field. There is now no further room for illusion. We are in a cemetery, and have been passing in the midst of houses of the dead, and mosques of the dead, in a town of the dead.
Once emerged from this cemetery, which in the end at least disclosed itself in its true character, we are involved again in the continuation of the mysterious town, which takes us back into its network. Little houses follow one another as before, only now the little gardens are replaced by little burial enclosures. And everything grows more and more indistinct, in the gentle light, which gradually grows less. It is as if someone were putting frosted globes over the moon, so that soon, but for the transparency of this air of Egypt and the prevailing whiteness of things, there would be no light at all. Once at a window the light of a lamp appears; it is the lantern of gravediggers. Anon we hear the voices of men chanting a prayer; and the prayer is a prayer for the dead.
