When Euphra rose from the table, and Harry followed her example, Hugh thought it better to rise as well. Mr. Arnold seemed to hesitate whether or not to ask him to resume his seat and have a glass of claret. Had he been a little wizened pedagogue, no doubt he would have insisted on his company, sure of acquiescence from him in every sentiment he might happen to utter. But Hugh really looked so very much like a gentleman, and stated his own views, or adopted his own plans, with so much independence, that Mr. Arnold judged it safer to keep him at arm's length for a season at least, till he should thoroughly understand his position--not that of a guest, but that of his son's tutor, belonging to the household of Arnstead only on approval.
On leaving the dining-room, Hugh hesitated, in his turn, whether to betake himself to his own room, or to accompany Euphra to the drawing-room, the door of which stood open on the opposite side of the hall, revealing a brightness and warmth, which the chill of the evening, and the lowness of the fire in the dining-room, rendered quite enticing. But Euphra, who was half-across the hall, seeming to divine his thoughts, turned, and said, "Are you not going to favour us with your company, Mr. Sutherland?""With pleasure," replied Hugh; but, to cover his hesitation, added, "I will be with you presently;" and ran up stairs to his own room.
"The old gentleman sits on his dignity--can hardly be said to stand on it," thought he, as he went. "The poor relation, as she calls herself, treats me like a guest. She is mistress here, however;that is clear enough."
As he descended the stairs to the drawing-room, a voice rose through the house, like the voice of an angel. At least so thought Hugh, hearing it for the first time. It seemed to take his breath away, as he stood for a moment on the stairs, listening. It was only Euphra singing The Flowers of the Forest. The drawing-room door was still open, and her voice rang through the wide lofty hall. He entered almost on tip-toe, that he might lose no thread of the fine tones.--Had she chosen the song of Scotland out of compliment to him?--She saw him enter, but went on without hesitating even. In the high notes, her voice had that peculiar vibratory richness which belongs to the nightingale's; but he could not help thinking that the low tones were deficient both in quality and volume. The expression and execution, however, would have made up for a thousand defects. Her very soul seemed brooding over the dead upon Flodden field, as she sang this most wailful of melodies--this embodiment of a nation's grief. The song died away as if the last breath had gone with it; failing as it failed, and ceasing with its inspiration, as if the voice that sang lived only for and in the song. A moment of intense silence followed. Then, before Hugh had half recovered from the former, with an almost grand dramatic recoil, as if the second sprang out of the first, like an eagle of might out of an ocean of weeping, she burst into Scots wha hae. She might have been a new Deborah, heralding her nation to battle. Hugh was transfixed, turned icy cold, with the excitement of his favourite song so sung.--Was that a glance of satisfied triumph with which Euphra looked at him for a single moment?--She sang the rest of the song as if the battle were already gained; but looked no more at Hugh.
