"Can you manage?"
Miss Daphne had already shed half her garments.
"Oh, I'm so excited, Mrs. Fiorsen! I do hope I shall dance well."Gyp stole back to the house; it being Sunday evening, the servants had been easily disposed of. She sat down at the piano, turning her eyes toward the garden. A blurred white shape flitted suddenly across the darkness at the far end and became motionless, as it might be a white-flowering bush under the trees. Miss Daphne had come out, and was waiting for the moon. Gyp began to play. She pitched on a little Sicilian pastorale that the herdsmen play on their pipes coming down from the hills, softly, from very far, rising, rising, swelling to full cadence, and failing, failing away again to nothing. The moon rose over the trees; its light flooded the face of the house, down on to the grass, and spread slowly back toward where the girl stood waiting. It caught the border of sunflowers along the garden wall with a stroke of magical, unearthly colour--gold that was not gold.
Gyp began to play the dance. The pale blurr in the darkness stirred. The moonlight fell on the girl now, standing with arms spread, holding out her drapery--a white, winged statue. Then, like a gigantic moth she fluttered forth, blanched and noiseless flew over the grass, spun and hovered. The moonlight etched out the shape of her head, painted her hair with pallid gold. In the silence, with that unearthly gleam of colour along the sunflowers and on the girl's head, it was as if a spirit had dropped into the garden and was fluttering to and fro, unable to get out.
A voice behind Gyp said: "My God! What's this? An angel?"Fiorsen was standing hall-way in the darkened room staring out into the garden, where the girl had halted, transfixed before the window, her eyes as round as saucers, her mouth open, her limbs rigid with interest and affright. Suddenly she turned and, gathering her garment, fled, her limbs gleaming in the moonlight.
And Gyp sat looking up at the apparition of her husband. She could just see his eyes straining after that flying nymph. Miss Daphne's faun! Why, even his ears were pointed! Had she never noticed before, how like a faun he was? Yes--on her wedding-night! And she said quietly:
"Daphne Wing was rehearsing her new dance. So you're back! Why didn't you let me know? Are you all right--you look splendid!"Fiorsen bent down and clutched her by the shoulders.
"My Gyp! Kiss me!"
But even while his lips were pressed on hers, she felt rather than saw his eyes straying to the garden, and thought, "He would like to be kissing that girl!"The moment he had gone to get his things from the cab, she slipped out to the music-room.
Miss Daphne was dressed, and stuffing her garments into the green linen bag. She looked up, and said piteously:
"Oh! Does he mind? It's awful, isn't it?"
Gyp strangled her desire to laugh.
"It's for you to mind."
"Oh, I don't, if you don't! How did you like the dance?""Lovely! When you're ready--come along!"
"Oh, I think I'd rather go home, please! It must seem so funny!""Would you like to go by this back way into the lane? You turn to the right, into the road.""Oh, yes; please. It would have been better if he could have seen the dance properly, wouldn't it? What will he think?"Gyp smiled, and opened the door into the lane. When she returned, Fiorsen was at the window, gazing out. Was it for her or for that flying nymph?
IX
September and October passed. There were more concerts, not very well attended. Fiorsen's novelty had worn off, nor had his playing sweetness and sentiment enough for the big Public. There was also a financial crisis. It did not seem to Gyp to matter. Everything seemed remote and unreal in the shadow of her coming time. Unlike most mothers to be, she made no garments, no preparations of any kind. Why make what might never be needed? She played for Fiorsen a great deal, for herself not at all, read many books--poetry, novels, biographies--taking them in at the moment, and forgetting them at once, as one does with books read just to distract the mind. Winton and Aunt Rosamund, by tacit agreement, came on alternate afternoons. And Winton, almost as much under that shadow as Gyp herself, would take the evening train after leaving her, and spend the next day racing or cub-hunting, returning the morning of the day after to pay his next visit. He had no dread just then like that of an unoccupied day face to face with anxiety.
Betty, who had been present at Gyp's birth, was in a queer state.
The obvious desirability of such events to one of motherly type defrauded by fate of children was terribly impinged on by that old memory, and a solicitude for her "pretty" far exceeding what she would have had for a daughter of her own. What a peony regards as a natural happening to a peony, she watches with awe when it happens to the lily. That other single lady of a certain age, Aunt Rosamund, the very antithesis to Betty--a long, thin nose and a mere button, a sense of divine rights and no sense of rights at all, a drawl and a comforting wheeze, length and circumference, decision and the curtsey to providence, humour and none, dyspepsia, and the digestion of an ostrich, with other oppositions--Aunt Rosamund was also uneasy, as only one could be who disapproved heartily of uneasiness, and habitually joked and drawled it into retirement.
But of all those round Gyp, Fiorsen gave the most interesting display. He had not even an elementary notion of disguising his state of mind. And his state of mind was weirdly, wistfully primitive. He wanted Gyp as she had been. The thought that she might never become herself again terrified him so at times that he was forced to drink brandy, and come home only a little less far gone than that first time. Gyp had often to help him go to bed.
