Anyone who is acquainted with the old masters will comprehend how much "The Last Supper" is damaged when I say that the spectator cannot really tell now whether the disciples are Hebrews or Italians. These ancient painters never succeeded in denationalizing themselves. The Italian artists painted Italian Virgins, the Dutch painted Dutch Virgins, the Virgins of the French painters were Frenchwomen--none of them ever put into the face of the Madonna that indescribable something which proclaims the Jewess, whether you find her in New York, in Constantinople, in Paris, Jerusalem, or in the empire of Morocco. I saw in the Sandwich Islands, once, a picture copied by a talented German artist from an engraving in one of the American illustrated papers. It was an allegory, representing Mr. Davis in the act of signing a secession act or some such document. Over him hovered the ghost of Washington in warning attitude, and in the background a troop of shadowy soldiers in Continental uniform were limping with shoeless, bandaged feet through a driving snowstorm. Valley Forge was suggested, of course. The copy seemed accurate, and yet there was a discrepancy somewhere. After a long examination I discovered what it was--the shadowy soldiers were all Germans! Jeff Davis was a German! Even the hovering ghost was a German ghost! The artist had unconsciously worked his nationality into the picture. To tell the truth, I am getting a little perplexed about John the Baptist and his portraits.
In France I finally grew reconciled to him as a Frenchman; here he is unquestionably an Italian. What next? Can it be possible that the painters make John the Baptist a Spaniard in Madrid and an Irishman in Dublin?
We took an open barouche and drove two miles out of Milan to "see ze echo," as the guide expressed it. The road was smooth, it was bordered by trees, fields, and grassy meadows, and the soft air was filled with the odor of flowers. Troops of picturesque peasant girls, coming from work, hooted at us, shouted at us, made all manner of game of us, and entirely delighted me. My long-cherished judgment was confirmed. I always did think those frowzy, romantic, unwashed peasant girls I had read so much about in poetry were a glaring fraud.
We enjoyed our jaunt. It was an exhilarating relief from tiresome sightseeing.
We distressed ourselves very little about the astonishing echo the guide talked so much about. We were growing accustomed to encomiums on wonders that too often proved no wonders at all. And so we were most happily disappointed to find in the sequel that the guide had even failed to rise to the magnitude of his subject.
We arrived at a tumbledown old rookery called the Palazzo Simonetti--a massive hewn-stone affair occupied by a family of ragged Italians. A good-looking young girl conducted us to a window on the second floor which looked out on a court walled on three sides by tall buildings. She put her head out at the window and shouted. The echo answered more times than we could count.
She took a speaking trumpet and through it she shouted, sharp and quick, a single "Ha!" The echo answered:
"Ha!------ha!-----ha!---ha!--ha!-ha! ha! h-a-a-a-a-a!" and finally went off into a rollicking convulsion of the jolliest laughter that could be imagined. It was so joyful--so long continued--so perfectly cordial and hearty that everybody was forced to join in. There was no resisting it.
Then the girl took a gun and fired it. We stood ready to count the astonishing clatter of reverberations. We could not say one, two, three, fast enough, but we could dot our notebooks with our pencil points almost rapidly enough to take down a sort of shorthand report of the result. My page revealed the following account. I could not keep up, but I did as well as I could.
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I set down fifty-two distinct repetitions, and then the echo got the advantage of me. The doctor set down sixty-four, and thenceforth the echo moved too fast for him also. After the separate concussions could no longer be noted, the reverberations dwindled to a wild, long-sustained clatter of sounds such as a watchman's rattle produces. It is likely that this is the most remarkable echo in the world.
The doctor, in jest, offered to kiss the young girl, and was taken a little aback when she said he might for a franc! The commonest gallantry compelled him to stand by his offer, and so he paid the franc and took the kiss. She was a philosopher. She said a franc was a good thing to have, and she did not care anything for one paltry kiss, because she had a million left. Then our comrade, always a shrewd businessman, offered to take the whole cargo at thirty days, but that little financial scheme was a failure.
